As far as low budget horror films go, this one by the Quiroz Brothers is not so bad. As far as low budget death row horror films go, it is not about a death row, per se, and the term ‘horror’ doesn’t exactly fit, either. But it is decidedly, indisputably, inescapably low budget. (more…)
Posted on February 18th, 2018 at 12:37 pm. Updated on February 18th, 2018 at 12:41 pm.
The Najayo Prison for men at San Cristóbal, about an hour out of Santo Domingo, is right next door to the Najayo Women’s Center of Correction and Rehabilitation. So close that the men in the old prison, if they can get to a high window on the upper storey, can pass messages to the women next door, and vice versa, by an elaborate, bespoke sign language. ‘Woodpecking’, they call it. “The thing is that when the woodpeckers drill their holes they grasp onto the tree - the same way that the guys climb to the windows and grab onto the rails so they can talk to us,” one of the women says. Or you can choose to make up your own explanation.
Posted on January 28th, 2018 at 11:18 am. Updated on January 28th, 2018 at 11:18 am.
I’ve seen a surprising number of people (OK, four, maybe) write in to movie sites asking for the name of the prison movie where an innocent American man escapes a Russian prison in a secret compartment in a truck or a train. I’m nor sure why it’s quite so forgettable or, if it is, why people later want to retrieve its name. This is the film; it’s called Gulag, and it’s a train, not a truck. (more…)
Posted on January 22nd, 2018 at 8:45 pm. Updated on January 22nd, 2018 at 8:45 pm.
I’m not the most ardent fan of modern Bollywood productions; most are too long for my liking (this one weighs in at just shy of 2½ hours) and I generally find the musical interludes grating and intrusive. But at least in Lucknow Central (and Qaidi Band, another just-released Indian film about the formation of a jail band) music is integral to the plot, and (despite what was an apparently poor reception from Indian filmgoers) it’s a far-from-disastrous prison film. (more…)
Posted on December 31st, 2017 at 9:07 pm. Updated on January 12th, 2018 at 8:35 pm.
Shot Caller might be one of those rare films that I enjoyed in spite of itself. Or myself. (more…)
Posted on December 14th, 2017 at 8:53 pm. Updated on December 14th, 2017 at 8:53 pm.
Pixote: A Lei do Mais Fraco (’the law of the weakest’) is celebrated for (or rather enjoys a reputation for) its unrelenting grimness. And for good reason. If you looked in the dictionary and it said: grĭm a. harsh, joyless, pixotish - you probably wouldn’t baulk… provided that you didn’t know that Pixote is sometimes translated as PeeWee, which doesn’t sound quite so grim.
Posted on October 5th, 2017 at 8:19 pm. Updated on October 5th, 2017 at 8:19 pm.
Ozzy isn’t quite the new Toy Story 3 (2010); it lacks much of the cleverness and multi-dimensional appeal of the earlier animated feature. But as another heart-warming movie about discarded anthropomorphic beings longing to be reunited with their families, it happily shares something of the same vibe. (more…)
Posted on September 21st, 2017 at 9:56 pm. Updated on September 21st, 2017 at 9:56 pm.
There is much that is familiar in The Prison. It owes a good deal to The Guys from Paradise (2000) and On the Job (2013) - both films about prisoners sneaking out of prison to commit major crimes, and then sneaking back in with perfect alibis - yet it somehow manages to be very much its own film. It features a cop and a kingpin. And copious amounts of corruption. (more…)
Posted on September 5th, 2017 at 10:18 pm. Updated on September 5th, 2017 at 10:18 pm.
‘Locked up in a Turkish prison’ has been the most reliable shorthand description of the horror of being a foreigner locked up abroad (or of any worst imaginable horror, really), probably since Midnight Express (1978). But the ordeal of Briton Billy Moore in A Prayer Before Dawn might have a few people viewing Thai prisons as the new high water mark. Or low water mark.
Posted on August 12th, 2017 at 8:55 pm. Updated on August 12th, 2017 at 9:07 pm.
You have to feel for the prison ship’s newest prisoner, Taura (Sandy Brooke). Not only is she (vaguely) innocent, but she has to wear a different, more revealing uniform to every other prisoner and sport a horrible ’80s perm. Mind you, she’s not on her Pat Malone on that last count. (more…)
Posted on August 4th, 2017 at 9:23 pm. Updated on August 4th, 2017 at 9:31 pm.