The copy-cat phenomenon is not unknown in prison; suicides, escapes, riots. And prison movies, too, it seems. We saw it in 2015 with the close releases of Riot and Vendetta, both featuring cops who go into maximum-security jails to avenge the killing of their wives. Recently, we’ve had two Indian movies, Lucknow Central and Qaidi Band (2017), both with innocent prisoners following their pop-stardom dreams in prison bands. And here, hot on the heels of Shot Caller (2017) – released just seven weeks earlier – is another action flick about a man embarking on a mission of extreme prison violence in order to protect his wife and child. (more…)
Posted on January 17th, 2018 at 8:48 pm. Updated on January 17th, 2018 at 8:48 pm.
Is it a good thing, ultimately, that this whistle-blowing film seems a little tame? That the boot camp abuses suffered by the juvenile offenders in Hong Kong’s Sha Tsui Detention Centre don’t seem to be as shocking as those in many other prison movies (which is not to say that gratuitous elbow strikes, and asking a detainee to clean a toilet with his fingers and then clean his teeth with the same fingers, and assorted other beatings and demeanings are not abusive). It’s a good thing for Hong Kong, isn’t it, if Sha Tsui (which caters for juveniles and young adults from 14 to 25) is not as rotten as some other prisons. Somehow, though, the film seems a little pallid and limp. (more…)
Posted on October 20th, 2017 at 5:08 pm. Updated on October 20th, 2017 at 5:08 pm.
Ozzy isn’t quite the new Toy Story 3 (2010); it lacks much of the cleverness and multi-dimensional appeal of the earlier animated feature. But as another heart-warming movie about discarded anthropomorphic beings longing to be reunited with their families, it happily shares something of the same vibe. (more…)
Posted on September 21st, 2017 at 9:56 pm. Updated on September 21st, 2017 at 9:56 pm.
How do five millionaires behave when they land in prison at the same time? “I see no reason why the Warden should object to uniforms by our own tailor,” moans Harold Kellogg (Thurston Hall), pulling at his ready-made prison uniform. “.. No style, poor material and probably even secondhand,” whines his partner-in-crime, Bruce Vander (Raymond Walburn), in total agreement. And there are plenty more jolly japes as the rich newcomers turn up their noses at the prison food and bunk beds, have to do manual labour… and mix with poor people. (more…)
Posted on May 4th, 2017 at 10:30 pm. Updated on May 4th, 2017 at 10:30 pm.
How many TV shows and movies have featured unorthodox police investigators being told to drop a case, yet the detective obstinately stays involved in spite of their superior’s instructions? That’s what happens here… but the investigator finishes up getting framed for the suspect’s murder. Which is perhaps not quite so orthodox. (more…)
Posted on January 1st, 2017 at 9:52 am. Updated on January 1st, 2017 at 9:52 am.
Who could forget the original Fortress (1992) and its magnificent intestinator? There’s nothing in this sequel to match it, sadly, although each prisoner does receive a new behaviour-modifying neural implant that also expropriates the optic nerve and allows ZED, the prison’s all-knowing computer, to relay each prisoner’s vision onto staff-monitored screens. Which is sort of handy. (more…)
Posted on December 27th, 2016 at 7:31 pm. Updated on January 1st, 2017 at 9:01 am.
“I never realised how much I took freedom for granted until it was taken away.” So says ex-cop, ex-prisoner and narrator Gillian Kaites (Melanie Coll), explaining her lust for freedom. Don’t expect anything deeper. (more…)
Posted on November 1st, 2016 at 9:45 am. Updated on November 1st, 2016 at 11:02 am.
Inside the first 20-odd minutes one prisoner gets shot dead after holding a toy gun at a guard who was about to rape her, a prisoner with whom the Warden is having a sexual relationship is killed by other prisoners for being a snitch, an African-American prisoner is sliced up by prisoners in an all-white cellblock, and the Warden and Guard Captain are separately implicated in corrupt drug activity. And there’s a shower scene. This film is not afraid of action. Or cliché. Or exploitation. (more…)
Posted on October 16th, 2016 at 2:19 pm. Updated on October 16th, 2016 at 2:19 pm.
OK. So this bloke, John Lomax (Jeff Speakman), is not happy. Outraged, in fact, and seeking revenge and justice, in that order. He breaks into the Westgate Penitentiary in Tennessee*, to kill Martin Kagan (Michael Shaner), the psychopathic murderer of his sister, Jenny. Kagan has maintained that it was one of his multiple personalities who killed her, not him, and inexplicably he is supported in this by Westgate’s new Assistant Warden, psychologist Dr Alice Barnes (Alex Datcher), who has recently petitioned the Governor to move the resentenced Kagan off Death Row and into a new prototype rehab program for the criminally insane, The Saddle Horse, where he will talk to schoolchildren about stuff. But it just so happens that Lomax’s break-in coincides with a small emergency in the prison, from which nearly all the prisoners have been transferred to a newer prison, and in which Kagan has taken Dr Barnes hostage, shot and killed Warden Munsey (James Brolin) with his own gun, killed several other guards, and has freed all but one of the other condemned men from their cells. (more…)
Posted on September 26th, 2016 at 6:00 pm. Updated on September 26th, 2016 at 6:00 pm.
Red Heat has an (undeserved) reputation as an exploitative Women in Prison film. Not surprising, perhaps, given that’s how it’s marketed these days. But its standout feature is not sleaze, but the same sort of xenophobia that characterises prison films like Midnight Express (1978) and In Hell (2003). Who would have thought? (more…)
Posted on September 6th, 2016 at 9:02 pm. Updated on September 6th, 2016 at 9:02 pm.