This is based on a true story. Allegedly. A beautiful young woman, Angela Duvall (Suzane Carvalho), stupidly takes the rap for her morally dissolute, heroin-addled brother, Sergio, who has killed a drug pusher. A third man at the scene would seem to have much to lose should Angela identify him, and he evidently has lots of friends in high-up places who can make life difficult for her. She is given 18 years in the nick, and thrown to the wolves. (more…)
Posted on May 30th, 2020 at 5:59 pm. Updated on May 30th, 2020 at 5:59 pm.
From a distance, the post-apartheid South Africa after Nelson Mandela was elected in 1994 appeared to be an exemplar of how two sides of a civil war might be united. Its Truth and Reconciliation Commission (TRC) appeared a model for how a new democratic government might deal with human rights violations perpetrated by both sides, the oppressors and the oppressed, and from that build an inclusive future for all. Up a weeny bit closer, The Forgiven shows some of the fragility of that new order as it seeks to establish itself; the persistence of deep-seated racism, the attempts to undermine the process, and the toll taken on the TRC as it bore the weight of expectations from both the black and white communities. Oh, and all of that in prison. (more…)
Posted on April 3rd, 2020 at 8:59 pm. Updated on April 3rd, 2020 at 9:06 pm.
Two themes run throughout this short movie: the betrayal of women by men, and sleaze. Sleaze, I think, wins. (more…)
Posted on December 22nd, 2019 at 11:33 am. Updated on December 22nd, 2019 at 11:33 am.
For years I avoided this movie, aware that there was a hardcore version, Eingelocht, and fearful that this less graphic version would still be an inane, plotless vehicle for gratuitous ‘erotic’ scenes – like so many WIP movies. The good news is that while it boasts shower scenes and a strip search and a rape and a stabbing in the anus and some consensual sex, it’s mostly in context. Sort of. The not-so-good news is that it is pretty much plotless, much of the acting is abysmal, and it is immediately forgettable. (more…)
Posted on December 9th, 2019 at 1:06 pm. Updated on December 9th, 2019 at 1:16 pm.
The Number is based on Jonny Steinberg’s non-fiction book of the same name, based in turn on interviews with Magadien Wentzel, a former high-ranking 28s gang member who served time in the Pollsmoor Prison in Cape Town. Both inside and outside jail, Wentzel has, it seems, so far defied the gang’s dictum that the only way out is through death. The film sheds light on the mysterious workings of the brutal, ritualistic, militaristic prison gangs in South Africa which maintain their traditions of well over a hundred years… and from which Magadien decides to walk away rather than see his son follow the same path. (more…)
Posted on November 23rd, 2019 at 8:27 pm. Updated on November 23rd, 2019 at 8:27 pm.
With a bit more imagination this could be a much better film… and still be pretty awful. (more…)
Posted on July 14th, 2019 at 1:11 pm. Updated on July 14th, 2019 at 1:15 pm.
Also known as ‘Excessive Torture in a Female Prison Camp’ (as distinct from reasonable, permissible torture, of course), this is a film more about love and patriotism than either escape or torture. (more…)
Posted on July 3rd, 2019 at 9:35 pm. Updated on July 3rd, 2019 at 9:45 pm.
Cynical, arrogant, foppish star lawyer Konrad von Seidlitz (Kai Wiesinger) engineers a 14 day spell in prison for himself by refusing to pay traffic fines – a stunt to protest being fined in the first place, and to give his legal firm some free publicity (celebrating his act of civil courage). And to demonstrate that he can do time in prison easily. (more…)
Posted on June 2nd, 2019 at 3:41 pm. Updated on June 13th, 2019 at 3:42 pm.
Somehow, this film slipped past the gatekeeper. But if I ever wanted to remind myself why I avoid exploitative Women in Prison movies, this would do the trick. (more…)
Posted on February 25th, 2019 at 3:36 pm. Updated on December 9th, 2019 at 1:12 pm.
A “combination of commercialism and penal reform” is how prison Warden Bledsoe (Hal Orlandini) describes the “unique experiment” that is his women’s prison’s operating model. It’s not unique, one suspects, and it’s not penal reform, but it is commercial: the renting out of its prettier prisoners at the local bordello. (more…)
Posted on December 15th, 2018 at 9:13 pm. Updated on December 15th, 2018 at 9:20 pm.