So, the whole shocking story of Alcatraz’s 29-year life as a Federal Penitentiary comes down to just two incidents, does it – the May 1946 failed escape attempt known as the ‘Battle of Alcatraz’, and the June 1962 escape bid that may or may not have been successful? Oh, and a bit of filler in-between about Clarence Carnes and Robert Stroud. Nothing else, it seems, was shocking, or part of the whole Alcatraz story. (more…)
Posted on March 7th, 2020 at 8:14 pm. Updated on March 7th, 2020 at 8:14 pm.
This latest Alcatraz film is ‘inspired by real events’. It is low budget and low on authenticity. It is also, sadly, at the low end of the interest scale. (more…)
Posted on February 24th, 2020 at 6:49 pm. Updated on February 24th, 2020 at 6:49 pm.
Q: How many films are there of first world citizens being held in prison in foreign states that have different political systems, different standards of living, or different concepts of what is reasonable treatment of its prisoners? A: Quite a few. And you can add this one to the list. (more…)
Posted on December 30th, 2019 at 8:23 pm. Updated on January 19th, 2020 at 9:07 pm.
Wild gunslingin’ west meets duck soup prison escape. It’s an odd recipe. (more…)
Posted on November 2nd, 2019 at 1:38 pm. Updated on November 2nd, 2019 at 1:38 pm.
The fourth movie in the Storm franchise [following on from Z Storm (2014), S Storm (2016), L Storm (2018), from which I have been successfully sheltered in each case, and not counting the yet-to-be-released G Storm], this again features William Luk Chi Lim (Louis Koo) as a super-committed investigator from Hong Kong’s Independent Commission Against Corruption (ICAC). (more…)
Posted on August 27th, 2019 at 9:57 pm. Updated on August 27th, 2019 at 10:10 pm.
It’s an extraordinary story, this one: based on the real-life story of Clyde Thompson who collected three life sentences, found God in jail, and became a prison chaplain after his release. Maybe because it’s sympathetic to him from the outset, maybe because it is so mindful of its likely audience that the portrayal of his pre-redemption ugliness is never too graphic, or maybe because Clyde never looks anything but boyish – but the message of his transformation is not as powerful as you might imagine; preaching to the converted has its downside. (more…)
Posted on August 5th, 2019 at 9:05 pm. Updated on August 5th, 2019 at 9:05 pm.
With a bit more imagination this could be a much better film… and still be pretty awful. (more…)
Posted on July 14th, 2019 at 1:11 pm. Updated on July 14th, 2019 at 1:15 pm.
It’s Good Friday as I’m writing this… and pondering, fittingly, the allusion to Barabbas in the title. What can it mean? One thread of the film concerns a man who has mightily affronted the authorities, and whose non-judgmental love for a prostitute has ‘healed’ her. A little familiar, you might think. But there’s no guilty rogue spared here while an innocent man goes to his death; the man awaiting execution is very much guilty (of the premeditated murder of a policeman), and none of those who walk free, or go unpunished, are of Barabbas’s ilk… and nor do they pave the way for the other man’s execution. (more…)
Posted on April 30th, 2019 at 3:39 pm. Updated on June 13th, 2019 at 3:40 pm.
The problem with these hit-and-miss spoofs is, well, that they’re hit-and-miss. (more…)
Posted on January 5th, 2019 at 4:28 pm. Updated on June 13th, 2019 at 3:23 pm.
A “combination of commercialism and penal reform” is how prison Warden Bledsoe (Hal Orlandini) describes the “unique experiment” that is his women’s prison’s operating model. It’s not unique, one suspects, and it’s not penal reform, but it is commercial: the renting out of its prettier prisoners at the local bordello. (more…)
Posted on December 15th, 2018 at 9:13 pm. Updated on December 15th, 2018 at 9:20 pm.