Although this is very much set in present day Ivory Coast, it has the form of an Elizabethan drama, augmented by a Greek chorus; a cultural and temporal potpourri. It might not work magnificently, but magnificently, it works. (more…)
Posted on August 24th, 2021 at 8:14 pm. Updated on August 24th, 2021 at 8:14 pm.
This is based on a true story. Allegedly. A beautiful young woman, Angela Duvall (Suzane Carvalho), stupidly takes the rap for her morally dissolute, heroin-addled brother, Sergio, who has killed a drug pusher. A third man at the scene would seem to have much to lose should Angela identify him, and he evidently has lots of friends in high-up places who can make life difficult for her. She is given 18 years in the nick, and thrown to the wolves. (more…)
Posted on May 30th, 2020 at 5:59 pm. Updated on May 30th, 2020 at 5:59 pm.
1. I know it’s not a prison movie; the prisonny bits are not the main game. 2. I know that prisonny bits are not exactly prison, either; the pedantic would call it an animal containment centre, or pound, or shelter for lost, seized and abandoned (read ‘socially disadvantaged’) animals. 3. I don’t care. The containment centre is a prison and is full of wonderful prison clichés. But I do have to admit that it’s a little unusual for a jailer to personally pursue his detainees after they have escaped. (more…)
Posted on April 11th, 2020 at 11:10 pm. Updated on April 11th, 2020 at 11:10 pm.
So, the whole shocking story of Alcatraz’s 29-year life as a Federal Penitentiary comes down to just two incidents, does it – the May 1946 failed escape attempt known as the ‘Battle of Alcatraz’, and the June 1962 escape bid that may or may not have been successful? Oh, and a bit of filler in-between about Clarence Carnes and Robert Stroud. Nothing else, it seems, was shocking, or part of the whole Alcatraz story. (more…)
Posted on March 7th, 2020 at 8:14 pm. Updated on March 7th, 2020 at 8:14 pm.
For years I avoided this movie, aware that there was a hardcore version, Eingelocht, and fearful that this less graphic version would still be an inane, plotless vehicle for gratuitous ‘erotic’ scenes – like so many WIP movies. The good news is that while it boasts shower scenes and a strip search and a rape and a stabbing in the anus and some consensual sex, it’s mostly in context. Sort of. The not-so-good news is that it is pretty much plotless, much of the acting is abysmal, and it is immediately forgettable. (more…)
Posted on December 9th, 2019 at 1:06 pm. Updated on December 9th, 2019 at 1:16 pm.
The Number is based on Jonny Steinberg’s non-fiction book of the same name, based in turn on interviews with Magadien Wentzel, a former high-ranking 28s gang member who served time in the Pollsmoor Prison in Cape Town. Both inside and outside jail, Wentzel has, it seems, so far defied the gang’s dictum that the only way out is through death. The film sheds light on the mysterious workings of the brutal, ritualistic, militaristic prison gangs in South Africa which maintain their traditions of well over a hundred years… and from which Magadien decides to walk away rather than see his son follow the same path. (more…)
Posted on November 23rd, 2019 at 8:27 pm. Updated on November 23rd, 2019 at 8:27 pm.
Several years ago I copped some mild abuse after suggesting that Billy Hayes, the hero of Midnight Express (1978) – a film that shares more than a few things in common with this one – might have got off lightly by escaping so soon into his sentence for smuggling a large quantity of hashish. It’s the same moral dilemma here; addict Dwight Worker (Timothy Bottoms) is caught smuggling cocaine at Mexico City’s airport in 1973, and yet two years into a seven-year sentence we catch ourselves cheering him on in his audacious bid to escape from the notorious Lecumberri Prison. Both films retell true life stories. (more…)
Posted on November 17th, 2019 at 8:27 pm. Updated on November 17th, 2019 at 8:27 pm.
With a bit more imagination this could be a much better film… and still be pretty awful. (more…)
Posted on July 14th, 2019 at 1:11 pm. Updated on July 14th, 2019 at 1:15 pm.
The embedded subtitles on this dubbed-into-English film (at least the version on YouTube) would seem to be a mixture of Danish and Finnish or other Scandinavian languages, which doesn’t seem to make much sense. But then, nor does much else in the film. (more…)
Posted on June 30th, 2019 at 5:42 pm. Updated on July 7th, 2019 at 1:01 pm.
A “combination of commercialism and penal reform” is how prison Warden Bledsoe (Hal Orlandini) describes the “unique experiment” that is his women’s prison’s operating model. It’s not unique, one suspects, and it’s not penal reform, but it is commercial: the renting out of its prettier prisoners at the local bordello. (more…)
Posted on December 15th, 2018 at 9:13 pm. Updated on December 15th, 2018 at 9:20 pm.