The third in the Ray Breslin Escape Plan series, this represents a major departure from the others; while the first two relied on his famed security expertise to be able to find the flaws in even the highest-tech, most secure prisons, this one takes him to an old-school, low-tech prison (played by the dilapidated Ohio State Reformatory, built in 1886) to rescue the kidnapped daughter of a Chinese technology tycoon. (more…)
Posted on July 24th, 2019 at 9:27 pm. Updated on July 24th, 2019 at 9:38 pm.
With a bit more imagination this could be a much better film… and still be pretty awful. (more…)
Posted on July 14th, 2019 at 1:11 pm. Updated on July 14th, 2019 at 1:15 pm.
Bronsonesque, I’d say. The same gleeful celebration of violence as the celebrated, violent British biopic Bronson (2009), but with a more noble cause and less theatre. (more…)
Posted on July 7th, 2019 at 12:48 pm. Updated on July 7th, 2019 at 12:48 pm.
Also known as ‘Excessive Torture in a Female Prison Camp’ (as distinct from reasonable, permissible torture, of course), this is a film more about love and patriotism than either escape or torture. (more…)
Posted on July 3rd, 2019 at 9:35 pm. Updated on July 3rd, 2019 at 9:45 pm.
Cynical, arrogant, foppish star lawyer Konrad von Seidlitz (Kai Wiesinger) engineers a 14 day spell in prison for himself by refusing to pay traffic fines – a stunt to protest being fined in the first place, and to give his legal firm some free publicity (celebrating his act of civil courage). And to demonstrate that he can do time in prison easily. (more…)
Posted on June 2nd, 2019 at 3:41 pm. Updated on June 13th, 2019 at 3:42 pm.
I watched this film with, I’m sorry to say, less than perfect comprehension… after the failure of several pathetic attempts to find good English subtitles. I was a little bemused to subsequently find a reference in one review to a duck in the prison, which I thought I’d missed, only to learn that it resulted from the translation of the mistranscribed ‘El pato de mi cárcel’. Sadly, outside of English I am always finding ducks or missing them (whichever is wrong). (more…)
Posted on March 19th, 2019 at 3:38 pm. Updated on June 13th, 2019 at 3:39 pm.
At first blush, this is a wacky story of an island prison somewhere in Asia, ruled by a maniacal American, and featuring much creative brutality and some innovative implements of torture; the sort of film to which adolescents might be attracted. It was a bit of a surprise to learn later that it is based on a true story from the 1960s: that of the experimental penal colony Pulau Senang, just off the coast of Singapore, and the riot which led to its closure. (more…)
Posted on February 15th, 2019 at 3:32 pm. Updated on June 14th, 2019 at 8:37 pm.
‘Downing a Duck‘, one prisoner’s written account of how to cultivate and manipulate a correctional officer to breach prison security, has seemingly been used worldwide as a training tool for new officers. Heartlock is pretty much its filmic equivalent. (more…)
Posted on February 9th, 2019 at 3:31 pm. Updated on June 13th, 2019 at 3:32 pm.
A “combination of commercialism and penal reform” is how prison Warden Bledsoe (Hal Orlandini) describes the “unique experiment” that is his women’s prison’s operating model. It’s not unique, one suspects, and it’s not penal reform, but it is commercial: the renting out of its prettier prisoners at the local bordello. (more…)
Posted on December 15th, 2018 at 9:13 pm. Updated on December 15th, 2018 at 9:20 pm.
I’m afraid I wasn’t a big fan of the first filmed version of Henri Charrière’s life story, Papillon (1973), starring Steve McQueen and Dustin Hoffman. I thought it tedious, and a disappointing retelling of the boisterous, if largely fanciful, written account. And I’m not all that keen to go back and revisit it to see if that judgment was a little harsh, having just watched the remake… which I think is an improvement.
Posted on December 8th, 2018 at 8:38 pm. Updated on December 8th, 2018 at 8:46 pm.