A “combination of commercialism and penal reform” is how prison Warden Bledsoe (Hal Orlandini) describes the “unique experiment” that is his women’s prison’s operating model. It’s not unique, one suspects, and it’s not penal reform, but it is commercial: the renting out of its prettier prisoners at the local bordello. (more…)
Posted on December 15th, 2018 at 9:13 pm. Updated on December 15th, 2018 at 9:20 pm.
“Are we quits, now?” asks the young, first-time prisoner of the older prisoner who had earlier come to his rescue, having just paid off the first instalment (by helping tip boiling water on a debtor) in return for the big favour. “Ask me again and I’ll stamp your face into the concrete,” the older man replies. And if the younger man didn’t realise up until that point that he was trapped, he does then. (more…)
Posted on November 6th, 2018 at 7:39 pm. Updated on August 29th, 2019 at 8:50 pm.
“Please don’t let it be a cell.” So says Colin Warner on waking each day. But for 21 years, it is. And he’s innocent. (more…)
Posted on August 19th, 2018 at 8:37 pm. Updated on August 19th, 2018 at 8:39 pm.
This is prison movie fusion; a football story à la The Longest Yard (1974) and (2005) and Mean Machine (2001), combined with – and in the context of – an extraordinary story of high level corruption in a Mexico City prison. It’s not entirely congruous; it’s a bit like dropping the Birdman of Alcatraz into the middle of Corcoran State Prison while ‘gladiator day’ fights as depicted in Felon (2008) are staged around him. (more…)
Posted on June 9th, 2018 at 4:57 pm. Updated on June 9th, 2018 at 4:57 pm.
Three innocent young men, framed and remanded into custody by a vindictive police officer, resolve to escape from the Madikeri District Jail before their next court appearance in 15 days. Or so it seems. (more…)
Posted on May 28th, 2018 at 9:36 pm. Updated on May 28th, 2018 at 9:36 pm.
This is not a sequel to the 1973 film The Sting starring Paul Newman and Robert Redford, and seems an equally unlikely sequel to the 1992 Hong Kong film The Sting (starring Andy Lau, who appears in both apparently unconnected films in very different roles). A comedy-drama, it has, if nothing else, an English title which is much less abstruse than the literal translation of its Cantonese title – reportedly 36 Esteemed Cons: To Steal the Sky and Change the Moon. (more…)
Posted on April 18th, 2018 at 10:02 pm. Updated on April 18th, 2018 at 10:02 pm.
This is the alternative title of the video (on YouTube) which translates literally, it seems, as something closer to ‘Women’s Scum’. Or sometimes, intriguingly, as ‘Women’s Jelly’. The film’s original title, Life is a Woman, doesn’t appear to have ever had much traction. (more…)
Posted on February 4th, 2018 at 3:40 pm. Updated on June 15th, 2019 at 3:49 pm.
The Najayo Prison for men at San Cristóbal, about an hour out of Santo Domingo, is right next door to the Najayo Women’s Center of Correction and Rehabilitation. So close that the men in the old prison, if they can get to a high window on the upper storey, can pass messages to the women next door, and vice versa, by an elaborate, bespoke sign language. ‘Woodpecking’, they call it. “The thing is that when the woodpeckers drill their holes they grasp onto the tree – the same way that the guys climb to the windows and grab onto the rails so they can talk to us,” one of the women says. Or you can choose to make up your own explanation.
Posted on January 28th, 2018 at 11:18 am. Updated on January 28th, 2018 at 11:18 am.
I’ve seen a surprising number of people (OK, four, maybe) write in to movie sites asking for the name of the prison movie where an innocent American man escapes a Russian prison in a secret compartment in a truck or a train. I’m nor sure why it’s quite so forgettable or, if it is, why people later want to retrieve its name. This is the film; it’s called Gulag, and it’s a train, not a truck. (more…)
Posted on January 22nd, 2018 at 8:45 pm. Updated on January 22nd, 2018 at 8:45 pm.
The copy-cat phenomenon is not unknown in prison; suicides, escapes, riots. And prison movies, too, it seems. We saw it in 2015 with the close releases of Riot and Vendetta, both featuring cops who go into maximum-security jails to avenge the killing of their wives. Recently, we’ve had two Indian movies, Lucknow Central and Qaidi Band (2017), both with innocent prisoners following their pop-stardom dreams in prison bands. And here, hot on the heels of Shot Caller (2017) – released just seven weeks earlier – is another action flick about a man embarking on a mission of extreme prison violence in order to protect his wife and child. (more…)
Posted on January 17th, 2018 at 8:48 pm. Updated on January 17th, 2018 at 8:48 pm.