This invites comparisons with Scum (1979), updated and set in the context of the London riots of 2011. But it owes more to Doing Hard Time (2004), a less auspicious film which features another hurt, angry and apparently law-abiding man intent on avenging a terrible crime… and who is similarly prepared to surrender some high moral ground by senselessly attacking police – simply to get into jail and to get access to those who have wronged him. (more…)
Posted on March 3rd, 2013 at 11:23 am. Updated on March 3rd, 2013 at 11:23 am.
Let’s make it clear from the outset: this is not a campy remake of Girls in Prison (1956). I wish it were. (more…)
Posted on January 27th, 2013 at 9:17 pm. Updated on January 27th, 2013 at 9:17 pm.
I think I breathed a sigh of relief on coming to the end of H3: “Thankfully, that might be the last of these that I have to watch.” Which is a bit bewildering, because I’ve found other films dealing with the dirty protests and hunger strikes by republican prisoners in Northern Ireland in the early 80s [such as Silent Grace (2001) and Hunger (2008)] very watchable. It wasn’t any aspect of the conflict that troubled me, and it certainly wasn’t the repetition in the storyline; I can’t recall having a similar reaction after seeing my 67th escape movie or innocent-man-in-prison movie. (more…)
Posted on January 11th, 2013 at 9:37 pm. Updated on January 11th, 2013 at 9:37 pm.
Who would have thought? You go into this movie expecting a good old-fashioned piece of racial hurly burly, with the bigot realising the error of his ways in the end – a sort of Unshackled (2000), played for laughs. That’s how it’s promoted. Instead, it turns out to be a romantic comedy, of all things. Mind you, it’s not so radical that the romance is between the two cellmates. And of course it still ends with the bigot realising the error of his ways.
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Posted on December 10th, 2012 at 8:59 pm. Updated on December 10th, 2012 at 8:59 pm.
Made by some of the same people who brought you Police Academy I and II. That’s as much as you need to know, really. Or if it’s not, the fact that it has yet to make its way to a DVD release probably tells you much the same thing. (more…)
Posted on December 2nd, 2012 at 7:08 pm. Updated on December 19th, 2013 at 7:57 pm.
You know what you’re getting with the Naked Gun series, and questions like, “Is it sensible to select a high-profile cop to go undercover in a large maximum-security prison?” are happily irrelevant. (more…)
Posted on November 20th, 2012 at 8:15 pm. Updated on November 20th, 2012 at 8:15 pm.
Martin Flavin’s 1929 stage play of the same name was made into a film four times, it seems: this one – and possibly an alternative Spanish version, El código penal – in 1931, Penitentiary (1938), and Convicted (1950). Not even The Longest Yard (1974) has had as many remakes, and one of those at least featured a change of football codes; all the Criminal Code productions are virtually scene-by-scene replications.
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Posted on October 30th, 2012 at 10:10 am. Updated on April 9th, 2013 at 10:11 pm.
In 1976 the British Government put an end to the special category status of prisoners from the Provisional Irish Republican Army, no longer treating them as prisoners of war, but as common criminals. Mairéad Farrell – on whose life much of the film seems to be loosely based – was the first woman Republican to be refused political status in 1976. By 1980, when the film is set, Margaret Thatcher was Prime Minister and doggedly resolute: “There can be no question of political status for someone who is serving a sentence for crime. Crime is crime is crime.” Silent Grace seeks to capture the struggle for the restoration of political status that was at the heart of prison protests in Northern Ireland – not just by the more celebrated male prisoners – but by a smaller number of women prisoners, led by Farrell, at the Armagh Women’s Prison. (more…)
Posted on August 21st, 2012 at 10:28 pm. Updated on August 21st, 2012 at 10:28 pm.
This is, quite frankly, a pretty ordinary film. I have, however, given it an extra half-star for containing the only punishment I have seen, on film or elsewhere, involving a prisoner being forced to wear three large teapots. (more…)
Posted on June 30th, 2012 at 8:16 pm. Updated on June 30th, 2012 at 8:16 pm.
As the opening credits of Con Games roll over, we see a prisoner being led into a cell (in order that he might be raped by a waiting prisoner, it turns out), and the cell door doesn’t have a locking mechanism. Maybe such details are unimportant. But it doesn’t augur well. (more…)
Posted on March 19th, 2012 at 10:29 pm. Updated on August 11th, 2013 at 12:00 pm.