I can be a wee bit mistrustful, I know. As soon as I finished watching this movie, based on the life of Yevgenia (or Eugenia) Ginzburg, I sought out her true life story to see if it matched the film version. There are some differences between the two, it seems, and some of which I get; after all, you want people to watch the movie. Read the rest of this entry »
Posted on October 9th, 2017 at 9:12 pm. Updated on October 9th, 2017 at 9:12 pm.
Pixote: A Lei do Mais Fraco (’the law of the weakest’) is celebrated for (or rather enjoys a reputation for) its unrelenting grimness. And for good reason. If you looked in the dictionary and it said: grĭm a. harsh, joyless, pixotish - you probably wouldn’t baulk… provided that you didn’t know that Pixote is sometimes translated as PeeWee, which doesn’t sound quite so grim.
Posted on October 5th, 2017 at 8:19 pm. Updated on October 5th, 2017 at 8:19 pm.
Ozzy isn’t quite the new Toy Story 3 (2010); it lacks much of the cleverness and multi-dimensional appeal of the earlier animated feature. But as another heart-warming movie about discarded anthropomorphic beings longing to be reunited with their families, it happily shares something of the same vibe. Read the rest of this entry »
Posted on September 21st, 2017 at 9:56 pm. Updated on September 21st, 2017 at 9:56 pm.
Who would have thought that a film set entirely on Devil’s Island would have not all that much to do with prison… and ultimately more to do with tax evasion? Read the rest of this entry »
Posted on September 16th, 2017 at 11:00 pm. Updated on September 16th, 2017 at 11:00 pm.
There is much that is familiar in The Prison. It owes a good deal to The Guys from Paradise (2000) and On the Job (2013) - both films about prisoners sneaking out of prison to commit major crimes, and then sneaking back in with perfect alibis - yet it somehow manages to be very much its own film. It features a cop and a kingpin. And copious amounts of corruption. Read the rest of this entry »
Posted on September 5th, 2017 at 10:18 pm. Updated on September 5th, 2017 at 10:18 pm.
OK - I admit that this doesn’t really meet too many of my prison movie criteria. The thing is, I was looking for a prison comedy starring an Australian silent actor I’d never heard of - Snub Pollard - and hadn’t realised that the collection in which Turn Him Loose appeared starred Bobby Vernon, and not Snub. Or that the film was not quite 13 minutes long. Or that despite the promise that it shows Vernon “[finding] himself on the wrong side of prison bars while tracking a beautiful underworld gun-moll”, he is never locked up long enough to even lose his boater hat. Read the rest of this entry »
Posted on August 26th, 2017 at 9:41 pm. Updated on August 26th, 2017 at 10:06 pm.
This is a saga: a movie long enough to be broken by an interval, and long enough to remain, in essence, a wistful romantic comedy as it shrugs off big slabs of slapstick, political intrigue, corruption and brutality. And, because it is an Indian film, mandatory singing and dancing. Read the rest of this entry »
Posted on August 19th, 2017 at 9:40 pm. Updated on August 19th, 2017 at 9:40 pm.
‘Locked up in a Turkish prison’ has been the most reliable shorthand description of the horror of being a foreigner locked up abroad (or of any worst imaginable horror, really), probably since Midnight Express (1978). But the ordeal of Briton Billy Moore in A Prayer Before Dawn might have a few people viewing Thai prisons as the new high water mark. Or low water mark.
Posted on August 12th, 2017 at 8:55 pm. Updated on August 12th, 2017 at 9:07 pm.
You have to feel for the prison ship’s newest prisoner, Taura (Sandy Brooke). Not only is she (vaguely) innocent, but she has to wear a different, more revealing uniform to every other prisoner and sport a horrible ’80s perm. Mind you, she’s not on her Pat Malone on that last count. Read the rest of this entry »
Posted on August 4th, 2017 at 9:23 pm. Updated on August 4th, 2017 at 9:31 pm.
‘”… A classic” - The New York Times’ - trumpets the blurb on my DVD and my expectations are raised. It’s a long film, three hours (or three hour-long episodes) and midway I’m struggling both with this description and to maintain interest. How could I get it so wrong? I decide to look up the review: “The First Circle is a very sad film. Not because of the austerity of its place and time (a special Soviet prison camp for scientists in the late 1940’s), nor because hopelessness would seem the only rational philosophy under a tyranny as effective as Stalin’s. Rather it’s because the movie is such a wan and ineffectual testament to the novel it is based on, as well as to the life and career of its extraordinary author, Aleksandr I. Solzhenitsyn, the 1970 Nobel Prize-winning Soviet writer.” Read the rest of this entry »
Posted on July 29th, 2017 at 9:59 pm. Updated on August 12th, 2017 at 9:09 pm.