
That this follows on from my review of Strange Cargo (1940) is pure coincidence, I can assure you, but the two films’ themes are eerily similar. Read the rest of this entry »
Posted on February 28th, 2017 at 8:59 pm. Updated on February 28th, 2017 at 8:59 pm.

Aah! The delight of two movies in one… tempered only by one of them being rather drawn out, and the other a little weird. Read the rest of this entry »
Posted on February 14th, 2017 at 9:10 pm. Updated on February 28th, 2017 at 7:31 pm.

I’ve been dudded, I’m afraid. Nearly all the internet synopses of this film say things like, “a paroled ex-con tries to go straight and reform a brutal reform school, only to face a frame-up courtesy of the school’s corrupt warden.” But it’s not a reform school at all, but a place to which boys from reform school are paroled (and the ‘paroled ex-con’ is not on parole, and the frame-up is not chiefly the warden’s doing). Anyway, this has the dubious honour of having absolutely no prison in it at all, although when the uniformed guards use their batons against the residents, it does seem a little like a juvenile jail. Oh well.
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Posted on February 4th, 2017 at 3:43 pm. Updated on February 4th, 2017 at 3:43 pm.

The title of a film can obviously influence the lens through which you watch it. Breakin’ Out, the title chosen for this TV movie’s American release, conjures up a dramatic jailbreak: all action and tense anticipation. Its original French title, Grosse bêtise, translates as ‘gross stupidity’ and conveys a different message altogether. And the right one, in this case. Read the rest of this entry »
Posted on January 28th, 2017 at 9:00 pm. Updated on January 28th, 2017 at 9:00 pm.

Also known as Dark Holiday, this film about an American woman in a Turkish prison invites inevitable comparisons with Midnight Express (1978). But it being about an American held in a Turkish prison is where the similarities begin and end. Read the rest of this entry »
Posted on January 22nd, 2017 at 2:41 pm. Updated on January 22nd, 2017 at 2:41 pm.

Clash by Night is not exactly a prison movie, but it is all about prisoners and Prison Officers. So it’s prisonny. Read the rest of this entry »
Posted on January 7th, 2017 at 9:34 pm. Updated on January 7th, 2017 at 9:34 pm.

How many TV shows and movies have featured unorthodox police investigators being told to drop a case, yet the detective obstinately stays involved in spite of their superior’s instructions? That’s what happens here… but the investigator finishes up getting framed for the suspect’s murder. Which is perhaps not quite so orthodox. Read the rest of this entry »
Posted on January 1st, 2017 at 9:52 am. Updated on January 1st, 2017 at 9:52 am.

Who could forget the original Fortress (1992) and its magnificent intestinator? There’s nothing in this sequel to match it, sadly, although each prisoner does receive a new behaviour-modifying neural implant that also expropriates the optic nerve and allows ZED, the prison’s all-knowing computer, to relay each prisoner’s vision onto staff-monitored screens. Which is sort of handy. Read the rest of this entry »
Posted on December 27th, 2016 at 7:31 pm. Updated on January 1st, 2017 at 9:01 am.

I confess I’m not the biggest fan of all things Christmassy – including, it must be said, Christmas movies. Or rather, I’m not much of a fan of the notion of Christmas movies, because I don’t think I’ve ever watched one from start to finish. Until this one. Which I rather enjoyed. Read the rest of this entry »
Posted on December 25th, 2016 at 9:26 pm. Updated on December 26th, 2016 at 7:52 am.

This is a short (49-minute) but poignant portrait of a 16-year-old girl in a juvenile detention centre. Perhaps the first thing to note is that ‘vast’ in Dutch does not mean expansive, but rather ‘fixed’ or ‘set’; the film deals with her inability to break away from the things that have formed her – to deal with them and attempt to move on. Read the rest of this entry »
Posted on December 16th, 2016 at 8:12 pm. Updated on December 16th, 2016 at 8:12 pm.