Man of Will retells the real-life story of nationalist hero Kim Chang-Soo, who much later, as Kim Koo, became the sixth and last Premier of the Provisional Government of the Republic of Korea. But the film doesn’t bother with any of the irrelevant stuff, concentrating instead on what was really important: the two years he spent in jail. (more…)
Posted on October 7th, 2019 at 8:40 pm. Updated on October 7th, 2019 at 8:40 pm.
It’s an extraordinary story, this one: based on the real-life story of Clyde Thompson who collected three life sentences, found God in jail, and became a prison chaplain after his release. Maybe because it’s sympathetic to him from the outset, maybe because it is so mindful of its likely audience that the portrayal of his pre-redemption ugliness is never too graphic, or maybe because Clyde never looks anything but boyish – but the message of his transformation is not as powerful as you might imagine; preaching to the converted has its downside. (more…)
Posted on August 5th, 2019 at 9:05 pm. Updated on August 5th, 2019 at 9:05 pm.
With a bit more imagination this could be a much better film… and still be pretty awful. (more…)
Posted on July 14th, 2019 at 1:11 pm. Updated on July 14th, 2019 at 1:15 pm.
Also known as ‘Excessive Torture in a Female Prison Camp’ (as distinct from reasonable, permissible torture, of course), this is a film more about love and patriotism than either escape or torture. (more…)
Posted on July 3rd, 2019 at 9:35 pm. Updated on July 3rd, 2019 at 9:45 pm.
It’s Good Friday as I’m writing this… and pondering, fittingly, the allusion to Barabbas in the title. What can it mean? One thread of the film concerns a man who has mightily affronted the authorities, and whose non-judgmental love for a prostitute has ‘healed’ her. A little familiar, you might think. But there’s no guilty rogue spared here while an innocent man goes to his death; the man awaiting execution is very much guilty (of the premeditated murder of a policeman), and none of those who walk free, or go unpunished, are of Barabbas’s ilk… and nor do they pave the way for the other man’s execution. (more…)
Posted on April 30th, 2019 at 3:39 pm. Updated on June 13th, 2019 at 3:40 pm.
Somehow, this film slipped past the gatekeeper. But if I ever wanted to remind myself why I avoid exploitative Women in Prison movies, this would do the trick. (more…)
Posted on February 25th, 2019 at 3:36 pm. Updated on December 9th, 2019 at 1:12 pm.
At first blush, this is a wacky story of an island prison somewhere in Asia, ruled by a maniacal American, and featuring much creative brutality and some innovative implements of torture; the sort of film to which adolescents might be attracted. It was a bit of a surprise to learn later that it is based on a true story from the 1960s: that of the experimental penal colony Pulau Senang, just off the coast of Singapore, and the riot which led to its closure. (more…)
Posted on February 15th, 2019 at 3:32 pm. Updated on June 14th, 2019 at 8:37 pm.
It’s the future: 2011. Back in 2002 out of control tax rates had triggered a Depression, with half the population forced out of work. In response to soaring crime rates and civil unrest Congress made new offences (such as gun ownership, ho ho, tax evasion and speech code violations) capital crimes, alongside murder and treason. Smoking has become an offence against the Clean Air, Clean Minds Act (2005) and carries a minimum one-year term. And the execution of all the new Death Row inhabitants has become a mass entertainment commodity in a privatized Virtual Reality prison system. (more…)
Posted on January 12th, 2019 at 3:23 pm. Updated on June 13th, 2019 at 3:25 pm.
Before Fortress (1992) and its famous intestinator was this low budget flick, set in 2045 and boasting a very similar device: a ID transmitter/receiver inserted into the pulmonary plexus that not only tracks prisoners’ whereabouts, but allows guards to remotely cause pain to any part of a prisoner’s body (teeth, stomach etc), simply by choosing the relevant button on the remote control. Other than that – and the satellite prison’s sex droids (robots known as ‘pen pals’ which provide sexual favours to the well-behaved prisoners) – it is a pretty standard escape movie. (more…)
Posted on December 23rd, 2018 at 11:35 am. Updated on December 23rd, 2018 at 11:41 am.
A “combination of commercialism and penal reform” is how prison Warden Bledsoe (Hal Orlandini) describes the “unique experiment” that is his women’s prison’s operating model. It’s not unique, one suspects, and it’s not penal reform, but it is commercial: the renting out of its prettier prisoners at the local bordello. (more…)
Posted on December 15th, 2018 at 9:13 pm. Updated on December 15th, 2018 at 9:20 pm.