1. I know it’s not a prison movie; the prisonny bits are not the main game. 2. I know that prisonny bits are not exactly prison, either; the pedantic would call it an animal containment centre, or pound, or shelter for lost, seized and abandoned (read ‘socially disadvantaged’) animals. 3. I don’t care. The containment centre is a prison and is full of wonderful prison clichés. But I do have to admit that it’s a little unusual for a jailer to personally pursue his detainees after they have escaped. (more…)
Posted on April 11th, 2020 at 11:10 pm. Updated on April 11th, 2020 at 11:10 pm.
From a distance, the post-apartheid South Africa after Nelson Mandela was elected in 1994 appeared to be an exemplar of how two sides of a civil war might be united. Its Truth and Reconciliation Commission (TRC) appeared a model for how a new democratic government might deal with human rights violations perpetrated by both sides, the oppressors and the oppressed, and from that build an inclusive future for all. Up a weeny bit closer, The Forgiven shows some of the fragility of that new order as it seeks to establish itself; the persistence of deep-seated racism, the attempts to undermine the process, and the toll taken on the TRC as it bore the weight of expectations from both the black and white communities. Oh, and all of that in prison. (more…)
Posted on April 3rd, 2020 at 8:59 pm. Updated on April 3rd, 2020 at 9:06 pm.
The Informer has a little more complexity than most action thrillers. But not so much that it explains why IMDb’s précis (“An ex-convict working undercover intentionally gets himself incarcerated again in order to infiltrate the mob at a maximum security prison”) pretty much misses the point entirely. ‘Intentionally gets himself incarcerated’, yes, but he returns to prison extremely reluctantly, and only when two figurative guns are pointed at his head – one by the mob and the other by the FBI. (more…)
Posted on February 15th, 2020 at 8:22 pm. Updated on February 15th, 2020 at 8:22 pm.
For years I avoided this movie, aware that there was a hardcore version, Eingelocht, and fearful that this less graphic version would still be an inane, plotless vehicle for gratuitous ‘erotic’ scenes – like so many WIP movies. The good news is that while it boasts shower scenes and a strip search and a rape and a stabbing in the anus and some consensual sex, it’s mostly in context. Sort of. The not-so-good news is that it is pretty much plotless, much of the acting is abysmal, and it is immediately forgettable. (more…)
Posted on December 9th, 2019 at 1:06 pm. Updated on December 9th, 2019 at 1:16 pm.
The Number is based on Jonny Steinberg’s non-fiction book of the same name, based in turn on interviews with Magadien Wentzel, a former high-ranking 28s gang member who served time in the Pollsmoor Prison in Cape Town. Both inside and outside jail, Wentzel has, it seems, so far defied the gang’s dictum that the only way out is through death. The film sheds light on the mysterious workings of the brutal, ritualistic, militaristic prison gangs in South Africa which maintain their traditions of well over a hundred years… and from which Magadien decides to walk away rather than see his son follow the same path. (more…)
Posted on November 23rd, 2019 at 8:27 pm. Updated on November 23rd, 2019 at 8:27 pm.
Man of Will retells the real-life story of nationalist hero Kim Chang-Soo, who much later, as Kim Koo, became the sixth and last Premier of the Provisional Government of the Republic of Korea. But the film doesn’t bother with any of the irrelevant stuff, concentrating instead on what was really important: the two years he spent in jail. (more…)
Posted on October 7th, 2019 at 8:40 pm. Updated on October 7th, 2019 at 8:40 pm.
It’s an extraordinary story, this one: based on the real-life story of Clyde Thompson who collected three life sentences, found God in jail, and became a prison chaplain after his release. Maybe because it’s sympathetic to him from the outset, maybe because it is so mindful of its likely audience that the portrayal of his pre-redemption ugliness is never too graphic, or maybe because Clyde never looks anything but boyish – but the message of his transformation is not as powerful as you might imagine; preaching to the converted has its downside. (more…)
Posted on August 5th, 2019 at 9:05 pm. Updated on August 5th, 2019 at 9:05 pm.
With a bit more imagination this could be a much better film… and still be pretty awful. (more…)
Posted on July 14th, 2019 at 1:11 pm. Updated on July 14th, 2019 at 1:15 pm.
Also known as ‘Excessive Torture in a Female Prison Camp’ (as distinct from reasonable, permissible torture, of course), this is a film more about love and patriotism than either escape or torture. (more…)
Posted on July 3rd, 2019 at 9:35 pm. Updated on July 3rd, 2019 at 9:45 pm.
It’s Good Friday as I’m writing this… and pondering, fittingly, the allusion to Barabbas in the title. What can it mean? One thread of the film concerns a man who has mightily affronted the authorities, and whose non-judgmental love for a prostitute has ‘healed’ her. A little familiar, you might think. But there’s no guilty rogue spared here while an innocent man goes to his death; the man awaiting execution is very much guilty (of the premeditated murder of a policeman), and none of those who walk free, or go unpunished, are of Barabbas’s ilk… and nor do they pave the way for the other man’s execution. (more…)
Posted on April 30th, 2019 at 3:39 pm. Updated on June 13th, 2019 at 3:40 pm.