Who could forget the original Fortress (1992) and its magnificent intestinator? There’s nothing in this sequel to match it, sadly, although each prisoner does receive a new behaviour-modifying neural implant that also expropriates the optic nerve and allows ZED, the prison’s all-knowing computer, to relay each prisoner’s vision onto staff-monitored screens. Which is sort of handy. (more…)
Posted on December 27th, 2016 at 7:31 pm. Updated on January 1st, 2017 at 9:01 am.
“I never realised how much I took freedom for granted until it was taken away.” So says ex-cop, ex-prisoner and narrator Gillian Kaites (Melanie Coll), explaining her lust for freedom. Don’t expect anything deeper. (more…)
Posted on November 1st, 2016 at 9:45 am. Updated on November 1st, 2016 at 11:02 am.
Inside the first 20-odd minutes one prisoner gets shot dead after holding a toy gun at a guard who was about to rape her, a prisoner with whom the Warden is having a sexual relationship is killed by other prisoners for being a snitch, an African-American prisoner is sliced up by prisoners in an all-white cellblock, and the Warden and Guard Captain are separately implicated in corrupt drug activity. And there’s a shower scene. This film is not afraid of action. Or cliché. Or exploitation. (more…)
Posted on October 16th, 2016 at 2:19 pm. Updated on October 16th, 2016 at 2:19 pm.
OK. So this bloke, John Lomax (Jeff Speakman), is not happy. Outraged, in fact, and seeking revenge and justice, in that order. He breaks into the Westgate Penitentiary in Tennessee*, to kill Martin Kagan (Michael Shaner), the psychopathic murderer of his sister, Jenny. Kagan has maintained that it was one of his multiple personalities who killed her, not him, and inexplicably he is supported in this by Westgate’s new Assistant Warden, psychologist Dr Alice Barnes (Alex Datcher), who has recently petitioned the Governor to move the resentenced Kagan off Death Row and into a new prototype rehab program for the criminally insane, The Saddle Horse, where he will talk to schoolchildren about stuff. But it just so happens that Lomax’s break-in coincides with a small emergency in the prison, from which nearly all the prisoners have been transferred to a newer prison, and in which Kagan has taken Dr Barnes hostage, shot and killed Warden Munsey (James Brolin) with his own gun, killed several other guards, and has freed all but one of the other condemned men from their cells. (more…)
Posted on September 26th, 2016 at 6:00 pm. Updated on September 26th, 2016 at 6:00 pm.
Red Heat has an (undeserved) reputation as an exploitative Women in Prison film. Not surprising, perhaps, given that’s how it’s marketed these days. But its standout feature is not sleaze, but the same sort of xenophobia that characterises prison films like Midnight Express (1978) and In Hell (2003). Who would have thought? (more…)
Posted on September 6th, 2016 at 9:02 pm. Updated on September 6th, 2016 at 9:02 pm.
The Last Castle has many of the hallmarks of a Shawshank; a classic battle of strategy between principled prisoner and corrupt warden, an imposing prison setting (the magnificent, fortress-like Tennessee State Penitentiary), and similar production values. But it doesn’t quite have the same impact… maybe because its message is a little muddier. (more…)
Posted on July 21st, 2016 at 9:14 pm. Updated on January 1st, 2017 at 9:02 am.
pa·thos \ˈpā-ˌthäs, -ˌthȯs, -ˌthōs n. 1. quality in speech, writing, events &c., that excites pity, sympathy, sadness 2. this film. It’s full of it. (more…)
Posted on June 14th, 2016 at 9:55 pm. Updated on June 14th, 2016 at 9:55 pm.
May Conner (Gail Harris) is 19* and in prison. She’s a Miss Goody Two-Shoes… a little naive when it comes to crime and punishment, and is unused to prison lingo. “They found a second set of finger things.” “Prints,” says her street-wise older sister, April (Annie Wood). “Prints, right.” (more…)
Posted on May 16th, 2016 at 9:59 pm. Updated on July 9th, 2016 at 6:13 pm.
I’m not aware of any other psychology experiment that has spawned three films; I don’t think that poor Ivan Pavlov can boast even one movie, notwithstanding Pavlov’s Dog (2005). And I’m not sure why, after two perfectly sound movies in Das Experiment (2001) and The Experiment (2010), it was seen to be worthwhile to make yet another film based on Dr Philip Zimbardo’s famous 1971 experiment examining the psychology of prison - its impact on prisoners and guards. (more…)
Posted on March 28th, 2016 at 11:59 am. Updated on March 28th, 2016 at 11:59 am.
Vendetta has all the standard ’80s trademarks you’d expect - prisoners with big hair and wearing workout gear like they’d just stepped out of a Flashdance or Let’s Get Physical video - but no-one (at least in prison) seems to be held accountable for much. Wasn’t glasnost an ’80s thing? (more…)
Posted on March 21st, 2016 at 8:00 pm. Updated on March 21st, 2016 at 8:00 pm.