Clichés

» Escape (1980, USA)

Several years ago I copped some mild abuse after suggesting that Billy Hayes, the hero of Midnight Express (1978) – a film that shares more than a few things in common with this one – might have got off lightly by escaping so soon into his sentence for smuggling a large quantity of hashish. It’s the same moral dilemma here; addict Dwight Worker (Timothy Bottoms) is caught smuggling cocaine at Mexico City’s airport in 1973, and yet two years into a seven-year sentence we catch ourselves cheering him on in his audacious bid to escape from the notorious Lecumberri Prison. Both films retell true life stories. (more…)

Posted on November 17th, 2019 at 8:27 pm. Updated on November 17th, 2019 at 8:27 pm.

» Women of San Quentin (1983, USA)

“Look, I sure wasn’t the first to admit it. But there are things that you and the other women officers can do in a prison that a man can’t do. They look at a man in this uniform and their gut response is that it’s the enemy. They look at a woman in this uniform and their gut response is it’s still a woman. That’s what women can do for a prison.” (more…)

Posted on November 8th, 2019 at 7:21 pm. Updated on November 8th, 2019 at 7:21 pm.

» Ambush at Dark Canyon (2012, USA)

Wild gunslingin’ west meets duck soup prison escape. It’s an odd recipe.  (more…)

Posted on November 2nd, 2019 at 1:38 pm. Updated on November 2nd, 2019 at 1:38 pm.

» O.G. (2018, USA)

O.G. is not quite OMG!; it’s too quietly intense, too much of a slow-burn. But it’s an outstanding prison movie. (more…)

Posted on October 27th, 2019 at 11:24 am. Updated on June 21st, 2020 at 5:25 pm.

» Man of Will (2017, South Korea)

Man of Will retells the real-life story of nationalist hero Kim Chang-Soo, who much later, as Kim Koo, became the sixth and last Premier of the Provisional Government of the Republic of Korea. But the film doesn’t bother with any of the irrelevant stuff, concentrating instead on what was really important: the two years he spent in jail. (more…)

Posted on October 7th, 2019 at 8:40 pm. Updated on October 7th, 2019 at 8:40 pm.

» Autsajder (2018, Poland)

Set against the backdrop of the growing Solidarity movement in the early 1980s, this film tells a simple story: an autsajder (outsider) inside. (more…)

Posted on October 1st, 2019 at 9:59 pm. Updated on October 1st, 2019 at 9:59 pm.

» Revenger (2018, South Korea)

Revenger is an action movie. A fight movie, to be more precise, co-written by the main fighter to showcase his martial-arts skills, not his acting ability. Don’t expect much else. (more…)

Posted on September 21st, 2019 at 10:06 pm. Updated on September 21st, 2019 at 10:06 pm.

» The Mustang (2019, USA / France / Belgium)

I’m not really interested in the nags, despite my great-grandfather having been a highly respected horse-breaker, and like Dr Paul Gendreau I’m a little sceptical of the direct impact that animal programs have on recidivism, no matter what amazing things they can do for the prison environment. But this evocative, beautifully shot film brings two old-fashioned occupations – horse-breaker and criminal – together in splendid fashion, and no-one really gives a toss whether there are fewer criminals in the world because some have learned to break horses. (more…)

Posted on September 3rd, 2019 at 9:31 pm. Updated on September 3rd, 2019 at 9:31 pm.

» P Storm (2019, Hong Kong / China)

The fourth movie in the Storm franchise [following on from Z Storm (2014), S Storm (2016), L Storm (2018), from which I have been successfully sheltered in each case, and not counting the yet-to-be-released G Storm], this again features William Luk Chi Lim (Louis Koo) as a super-committed investigator from Hong Kong’s Independent Commission Against Corruption (ICAC).  (more…)

Posted on August 27th, 2019 at 9:57 pm. Updated on August 27th, 2019 at 10:10 pm.

» The Meanest Man in Texas (2017, USA)

It’s an extraordinary story, this one: based on the real-life story of Clyde Thompson who collected three life sentences, found God in jail, and became a prison chaplain after his release. Maybe because it’s sympathetic to him from the outset, maybe because it is so mindful of its likely audience that the portrayal of his pre-redemption ugliness is never too graphic, or maybe because Clyde never looks anything but boyish – but the message of his transformation is not as powerful as you might imagine; preaching to the converted has its downside. (more…)

Posted on August 5th, 2019 at 9:05 pm. Updated on August 5th, 2019 at 9:05 pm.