The Najayo Prison for men at San Cristóbal, about an hour out of Santo Domingo, is right next door to the Najayo Women’s Center of Correction and Rehabilitation. So close that the men in the old prison, if they can get to a high window on the upper storey, can pass messages to the women next door, and vice versa, by an elaborate, bespoke sign language. ‘Woodpecking’, they call it. “The thing is that when the woodpeckers drill their holes they grasp onto the tree – the same way that the guys climb to the windows and grab onto the rails so they can talk to us,” one of the women says. Or you can choose to make up your own explanation.
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Posted on January 28th, 2018 at 11:18 am. Updated on January 28th, 2018 at 11:18 am.
I’ve seen a surprising number of people (OK, four, maybe) write in to movie sites asking for the name of the prison movie where an innocent American man escapes a Russian prison in a secret compartment in a truck or a train. I’m nor sure why it’s quite so forgettable or, if it is, why people later want to retrieve its name. This is the film; it’s called Gulag, and it’s a train, not a truck. Read the rest of this entry »
Posted on January 22nd, 2018 at 8:45 pm. Updated on January 22nd, 2018 at 8:45 pm.
The copy-cat phenomenon is not unknown in prison; suicides, escapes, riots. And prison movies, too, it seems. We saw it in 2015 with the close releases of Riot and Vendetta, both featuring cops who go into maximum-security jails to avenge the killing of their wives. Recently, we’ve had two Indian movies, Lucknow Central and Qaidi Band (2017), both with innocent prisoners following their pop-stardom dreams in prison bands. And here, hot on the heels of Shot Caller (2017) – released just seven weeks earlier – is another action flick about a man embarking on a mission of extreme prison violence in order to protect his wife and child. Read the rest of this entry »
Posted on January 17th, 2018 at 8:48 pm. Updated on January 17th, 2018 at 8:48 pm.
Just how many undiscovered pop stars are there amongst the innocent prisoner population in Indian prisons? Heaps, you might think, if it’s safe to extrapolate from this film and Lucknow Central, which was released just a month after this one. There are plenty of similarities between the two films, but unlike Lucknow, in which a wrongly convicted prisoner who has dreams of being a pop singer takes centre stage, Qaidi Band concentrates on (and, amidst all the singing and the romance, provides some social commentary on) ‘undertrials’ – unconvicted prisoners awaiting trial. Read the rest of this entry »
Posted on January 12th, 2018 at 8:30 pm. Updated on January 12th, 2018 at 8:30 pm.
I’m not the most ardent fan of modern Bollywood productions; most are too long for my liking (this one weighs in at just shy of 2½ hours) and I generally find the musical interludes grating and intrusive. But at least in Lucknow Central (and Qaidi Band, another just-released Indian film about the formation of a jail band) music is integral to the plot, and (despite what was an apparently poor reception from Indian filmgoers) it’s a far-from-disastrous prison film. Read the rest of this entry »
Posted on December 31st, 2017 at 9:07 pm. Updated on January 12th, 2018 at 8:35 pm.
My memory’s not what it was, but off the top of my head I can’t think of another film where the hero gets himself put in jail to carry out a gold heist. Read the rest of this entry »
Posted on December 29th, 2017 at 7:02 pm. Updated on December 29th, 2017 at 7:02 pm.
You know when a guard starts frisking a naked woman in the shower room that the technical advisor on prisons took a sick day on the day that scene was filmed. Or it’s that sort of movie.
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Posted on December 24th, 2017 at 3:12 pm. Updated on December 24th, 2017 at 3:12 pm.
Shot Caller might be one of those rare films that I enjoyed in spite of itself. Or myself. Read the rest of this entry »
Posted on December 14th, 2017 at 8:53 pm. Updated on December 14th, 2017 at 8:53 pm.
You got me. This is filler. There is really no reason to include this film… Except that I saw the rushes which inferred, I thought, that much of the film was devoted to the minions in prison. It turns out that the prison scenes account for just on three minutes. They manage to pack a fair bit into those three minutes, but it’s three minutes. Read the rest of this entry »
Posted on December 1st, 2017 at 8:18 pm. Updated on December 1st, 2017 at 8:18 pm.
For starters, I’m not sure why this horror movie is called The Chair. Yes, there is an electric chair, but it doesn’t make an appearance until the last few minutes of the film, and it doesn’t even loom large over the preceding action. It’s a little like calling The Shawshank Redemption ‘The Beach.’ Read the rest of this entry »
Posted on November 25th, 2017 at 9:13 pm. Updated on November 25th, 2017 at 9:13 pm.