I feel for Dean Cain. I’m sure he wants to play serious prison roles, but in Dogboys (1998) he got to play an ex-Marine fighting killer prison dogs, and in New Alcatraz (2001) he had to play a palaeontologist fighting a giant prehistoric prison snake. Here he gets to play an ex-cop fighting a killer prison giant. (more…)
Posted on September 28th, 2015 at 9:47 pm. Updated on September 28th, 2015 at 9:49 pm.
Some films are remakes of originals. But from the pre-subtitles era, this French-language version of the classic The Big House (1930) is not just a remake, but the same film, shot-for-shot, with French actors substituted for American. Well, not exactly shot-for-shot; in one of the last scenes, John Morgan (Charles Boyer) has his right arm in a sling, while in the American version (and, for that matter, the Spanish-language version, El Presidio), it’s on his left. Mind you, in the very final scene (taken straight from the original US version) Morgan’s sling has dramatically switched sides. I’m not sure which side is preferred in the German version, Menschen hinter Gittern.
Posted on September 19th, 2015 at 10:07 pm. Updated on September 23rd, 2015 at 10:07 pm.
It might not be perfectly sensible to liken a person unable to escape bullying to a person trapped in prison. The bullied Sean Randall chose the one way he thought he could fight his way out of feeling that trapped. Then he went to prison and was bullied there, too. So he wanted out, desperately, but on being released was subject to restrictions that made him feel he was back in prison. Tricky.
Posted on August 4th, 2015 at 9:16 pm. Updated on August 4th, 2015 at 9:16 pm.
OK, OK… like the odd filmed play or opera about prison on DVD, this might not strictly fit the definition of a prison movie. But it’s not so different to many movies that are filmed in studios with disjointed plots, shoddy sets and stagy dialogue. (more…)
Posted on August 2nd, 2015 at 8:18 pm. Updated on September 19th, 2015 at 10:45 pm.
You know how sometimes one scene or one line in a movie just loses you, and you can’t find a way back in? Early in Rise nurse Will McIntyre (Nathan Wilson) is falsely accused of spiking the drink of and then raping a girl with whom he has had a one night stand. At his trial, the prosecutor asks the victim to tell the court what happened next. Falteringly, she begins with, “He had my arms pressed under…” and McIntyre’s barrister jumps up and interjects, “Your Honour, this is all hearsay evidence!” Eh? Really? (more…)
Posted on July 19th, 2015 at 1:38 pm. Updated on July 19th, 2015 at 1:42 pm.
Nami Mizushima (Yuka Kosaka) is a determined young woman, intent on revenge. Innocent and framed by her prosecutor boyfriend over his killing of his lover, she is so controlled she remains continent after three days in a completely blackened room with her hands cuffed behind her back. (more…)
Posted on July 6th, 2015 at 9:02 pm. Updated on July 6th, 2015 at 9:02 pm.
Shadow: Dead Riot appears to be based on a premise that the same sort of people who watch salacious Women-in-Prison films with shower scenes and predatory lesbian guards will also like zombies and gore and exploding body parts. It’s probably solid thinking from a marketing perspective, but the two elements here have rather clumsily been patched together. (more…)
Posted on June 28th, 2015 at 1:34 pm. Updated on June 28th, 2015 at 1:34 pm.
To say that this is the best prison zombie movie I’ve seen is not saying much. But it is, even if it doesn’t contain any zombies. (more…)
Posted on March 16th, 2015 at 7:35 pm. Updated on March 16th, 2015 at 7:35 pm.
I’m still trying to work out myself whether this qualifies as a movie. It’s a three-part original video animation (OVA), apparently, following on from the TV series based on Yuichi Kumakuru’s manga. (more…)
Posted on November 30th, 2014 at 1:34 pm. Updated on November 30th, 2014 at 1:34 pm.
The South Koreans certainly love a good prison tear-jerker - Miracle in Cell No. 7 (2013), for instance, and Harmony (2010) - both of which also star young children, as does this weepy. But Way Back Home is also very reminiscent of Hell In Tangier (2006) and Left to Die (2012), both of which feature prisoners in third-world prisons overseas, hampered by inept, judgmental and disinterested embassy officials, and eventually released after persistent media campaigns. As this one does. The point of difference from the last two is that in this case the prisoner is guilty. Of stupidity, at the very least.
Posted on October 14th, 2014 at 9:30 pm. Updated on October 14th, 2014 at 9:30 pm.